ALIENS – STU WHO?

A song I recorded maybe a decade back, with the help of my son, Kahl, and friends, Paul Dowie on guitar, and Paul Cotton doing the recording
The topic of UFO’s and alien overlords still haunts many, whereas I believe the aliens are definitely amongst us … they’re called Capitalists
ALIENS
Unidentified Flying Objectivity
There’s aliens about, so, watch out
It might be you
It might be me
You look alright, but I still got my doubts
Everybody’s suspect, no one’s innocent
All taking part in an alien experiment
Filling us with chemicals and changing our air
I wonder if you are aware
We are surrounded by aliens
In every town, there’s an alien
Don’t look round
There’s an alien
And there’s no running away
Everybody’s talking ’bout alien visitors
Contemplation of invasion
All they need is good solicitors
Legalising murder and mass starvation
Jobs as policemen and policewomen
They ain’t half funny
And they ain’t half-human
It might get better
It might get worse
When Earth becomes the nigger of the Universe
They don’t have tails
They don’t have tentacles
They wear nice suits and gold-rimmed spectacles
Changing slowly
Changing time
Changing bodies and changing minds
Taking over the population
Effecting a mass mutation
Your resistances will be overcome
Your disbelief at what I’m saying
Is the first symptom
We are surrounded by aliens
In every town, there’s an alien
Don’t look round
There’s an alien
And there’s no running away
Unidentified Flying Objectivity
There’s aliens about
So, WATCH OUT

Tell Me Why – Stu Who?

My latest wee vid, done whilst trying out new editing software, as a learning exercise … and a long, slow fukken annoying process it was
I did the music on an old steam-driven prog … vox added on the laptop … rather lo-fi, but that’s the way I like it
After lotsa mistakes and hassles, I give up … this’ll have to do
The next one will be better … as I dumped that software and will start afresh
The words are from poem that I wrote, performed over a bit of music that I also wrote, and played, … they just fitted perfectly together somehow
“Out of the mouths of babes and sucklings” sounds like screen directions for a crap, porn film  … but it also has that ring of truth to it … Kids can ask the most naive and simplistic of questions that cut through the bullshit and flim-flam, getting right to the heart of the matter … the real questions which need answering
 

http://youtu.be/UI9Hz18DGQA

Mall Teaser

Sculptor, Tony Morrow, famous for his Loby Dosser & El Fideldo statue in Woodlands Rd, used to live near me, in Kildrum, here in Cumbernauld.    At that time, he was a fireman, hadn’t yet been to art-school, and was a mate of mine .. with a great sense of humour.  The first time I ever visited his flat, I sat down on the couch, as he went to put the kettle on, and I started to skin-up, a wee  number on his large coffee table

 

Situated at the opposite end of the table was a box of Maltesers … but a box which was maybe four or five times bigger than even the biggest, family size, Malteser box

.

“That’s some fukkin size of a box of Maltesers, Tony!” I shouted through to Tony in the kitchen

“I love Maltesers. Have one”  he shouted back

I lifted the partially opened flap top of the box.

.

 ‘

Inside was one HUGE brown, chocolate Malteser, the size of a volleyball.

“But don’t eat the last one”  Tony shouted ….

Leave the last one fur me”

I doubled up, pissing myself laughing

“That is fukkin genius … You should do stuff like that professionally”  I told him … constantly for the next few years, … and eventually, he did

Over the years, I saw dozens of people fall for his little trick … he’d made the box and Maltesers, perfect to scale, and it was typical of the daft visual gags he eventually did in his sculptural work

FLAT OUT


In the mid 70’s, I played acoustic guitar (badly) and sang (enthusiastically) in a wee four-piece combo called Flat Out, alongside Eddy Cavin, Alan MacMaster, and Keith Shirlaw; and the occasional addition of Jim(my) Jazz (Alexander)
We had a good laugh doing sorta folk/blues/rock, with just a wee touch of The Bonzos too, and even released an EP – FLAT UOT – An Accident Looking For Somewhere To Happen.
Keith did the cover artwork, and although I can’t seem to locate the original B&W cover, I did find this version that Keith and one of my kids coloured in – the cover was intended for that very purpose, at my suggestion, as was the deliberate typo.

I was doing posters for the band and organising gigs too, and produced a poster for a night down at Cumbernauld Theatre, still called The Cottage at this point, and decided on a whim to call the event “An Evening Without Bing Crosby”.  I’d completed the pen and ink drawing that was the poster, given the artwork to someone to print them off, and received the finished posters, which were then distributed around Cumbernauld.
A copy of the poster was sitting on my drawing-board when a mate arrived, looked at it, and giggled furiously: “Wow, that was fast” he exclaimed.
”What was fast?” I asked.
”Being that topical, that quick”
Turned out that the famous crooner and child-beater, Bing Crosby, had died that very day, just as the posters were being put up in shop windows and bus-shelters
In a simpler, less shock-weary time this was considered to be in rather bad taste
I was so chuffed, and well-pleasedwith the synchronicity … and began a long tradition of introducing a wee shock element into the band posters I produced from there onwards

Shortly afterwards I produced a poster for the band using the  monkey graphic featured below, with the very fine slogan

FLAT OUT
BETTER BAD THAN BORED

MEW SICK

MRI MEW SICK

In hospital today, for an MRI scan, which involves lying prone for a half-hour or so inside that large, donut-shaped apparatus, which is highly reminiscent of a cheap, sci-fi, time-portal.
You are advised that you can bring your own CD of music to play, through their headphones and, on my first visit, I’d taken a chill-out, Café Del Mar compilation, but found out it was totally drowned out by the noisy scan equipment … so, this time I’d taken along some throbbing dance tunes, courtesy of “Meccano Mind” by Syntax, which raised a few eyebrows from the nurse, and a huge smile from the radiographer.  I don’t think that 62 year-olds are meant to like bangin’ choons.
The radiographer was very friendly, and he enquired as to what the album I’d brought was, saying that the previous patient, an elderly lady, has just inflicted upon him with over an hour of “The Best Of Jim Reeves” … which should at best be ten minutes long, and two tracks at most, in my opinion.
I’d noticed that on the hospital’s own play list of albums available, there was a compilation of military marches played by The Royal Dragoon Guards Band, and I wondered if it was ever requested … “Constantly!” he replied “So many elderly guys ask for it … and it’s rather bizarre watching them lie there, their toes twitching away in military drill”
The fact that you’re supposed to lie there, motionless, made this seem rather silly, and I remarked that I’d heard a story, on a previous visit, of an elderly lady who’d come along with a CD that her son had bought her especially for her MRI session.  She was duly fitted with headphones and left in the MRI suite for her scan.
Within some minutes, they realised that she was twitching and flailing her arms about, and also raising her legs … this concerned them, as people with pacemakers, metal pins in their joints, etc, can be adversely affected by the electro-magnetic field of the scanner … so they stopped the scan and rushed in to see if she was ok.
When questioned about her movements, she said that she was just doing what they told her to do on the headphones … It transpires that her son had given her a relaxation CD, which featured dreamy, chill-out music, and then a soft mellifluous voice, saying “Lift your left leg … raise your arm in the air slowly, etc”
”I was on duty that day … I saw that” said the radiographer … “We thought she was having a fit!”
Fantastic … it must have been a sight to behold … so beware folks, pick that music carefully.

CRUCIFICTION

Many decades ago, when I was a graphic artist, we were told a cautionary tale with regards to checking your sources when combining foreign elements in a design
Seemingly, or so the story goes, when Japan was becoming Americanised in it’s commercial culture, some time during the late 60’s, the concept of Christmas as a shopping extravaganza was slowly and gradually foisted on the non-Christian, Japanese consumer.
To this end, a major department store in Tokyo commissioned two trendy, young, inexperienced but hip, Japanese designers to produce a huge & costly window display for their flagship store.
Being in an era before Google and the Internet, artists would leaf through books and magazines to obtain source material and artistic references and inspirations when designing such a major undertaking
If I, for example, were designing a Japanese-themed display at that time, I would probably have referenced images of snow-topped Mount Fuji, lotus blossom, the Rising Sun emblem, samurai, Japanese calligraphy, etc
The young Japanese designers obviously did the same, and produced a snow-covered landscape, with reindeer, snowmen, penguins, in pride of place, at the centre of it all, a large, and beautifully fashioned, Santa Claus figure nailed to a seven-foot high wooden cross.
A beautiful cross-fertilisation of Christian symbolism, in a manner that any non-Japanese artist might’ve easily misinterpreted Shinto symbols … maybe!!!
Whether true or not, I’ve always loved the idea of a crucified Santa … and being a heathen, non-believer who is aghast at Xmas tacky decorations, imagery, and symbolism, I’m amazed it took me so long to realize that vision.
Merry Whatsits To Y’All … Do What Ya Do!!
Love’n Stuff – Stu & Maggi