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Category Archives: ROCK AND ROLL

 

 

My latest wee vid, done whilst trying out new editing software, as a learning exercise … and a long, slow fukken annoying process it was

I did the music on an old steam-driven prog … vox added on the laptop … rather lo-fi, but that’s the way I like it

After lotsa mistakes and hassles, I give up … this’ll have to do

The next one will be better … as I dumped that software and will start afresh

The words are from poem that I wrote, performed over a bit of music that I also wrote, and played, … they just fitted perfectly together somehow

“Out of the mouths of babes and sucklings” sounds like screen directions for a crap, porn film  … but it also has that ring of truth to it … Kids can ask the most naive and simplistic of questions that cut through the bullshit and flim-flam, getting right to the heart of the matter … the real questions which need answering

 

This is astonishing … I’m in awe!!

 

 

And this is what FIRST introduced me to work of Johnny Deluxe

A rather pithy and pointed piquant pulchritude of passion poignancy and persuasive poetry

Great poem … great voice … love it!!

And a huge thanx to Meester Mainey, Kilmarnock’s finest, for the introduction

http://youtu.be/h06y4uS0uvY


I’m a sucker for a good story … and I’m a sucker for a poem that rhymes

Combine the two with wit, erudition, swirling images and slithering words,

and I’m hooked.

This ticks all those boxes … and more

Mr Johnny Deluxe … a rather fine bit of work!!!

Why is this not more widely known …. !!!!

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As I related in an earlier post,…  http://stuwho.wordpress.com/2012/02/16/chou-pahrot/ … the mighty Chou Pahrot were a weird 70’s Glasgow phenomenon that only the truly stoned & deranged could and would appreciate

A cacophony of deranged syncopation and discordant mayhem which would take you to the point of teeth-gritting surrender, and would then suddenly drop off a cliff of feedback and bass to emerge as a beautiful violin melody of exquisite toe-tapping sensibility … and all done with a huge tongue wedged in a Clydesdale horse’s cheek

Their studio recordings were enjoyable diversions but could never even come close to the sonic assault of musical claustrophobia and joyous dementia that their live performances could induce

Here is a hissy, old recording of that experience that is worth the effort … if you dare

Not for the faint-hearted

Chou Pahrot – Live at the STUC Birthday Party, in 197?ish

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http://soundcloud.com/chou-pahrot

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In the mid 70’s, I played acoustic guitar (badly) and sang (enthusiastically) in a wee four-piece combo called Flat Out, alongside Eddy Cavin, Alan MacMaster, and Keith Shirlaw; and the occasional addition of Jim(my) Jazz (Alexander)

We had a good laugh doing sorta folk/blues/rock, with just a wee touch of The Bonzos too, and even released an EP – FLAT UOT – An Accident Looking For Somewhere To Happen.

Keith did the cover artwork, and although I can’t seem to locate the original B&W cover, I did find this version that Keith and one of my kids coloured in – the cover was intended for that very purpose, at my suggestion, as was the deliberate typo.

I was doing posters for the band and organising gigs too, and produced a poster for a night down at Cumbernauld Theatre, still called The Cottage at this point, and decided on a whim to call the event “An Evening Without Bing Crosby”.  I’d completed the pen and ink drawing that was the poster, given the artwork to someone to print them off, and received the finished posters, which were then distributed around Cumbernauld.

A copy of the poster was sitting on my drawing-board when a mate arrived, looked at it, and giggled furiously: “Wow, that was fast” he exclaimed.

”What was fast?” I asked.

”Being that topical, that quick”

Turned out that the famous crooner and child-beater, Bing Crosby, had died that very day, just as the posters were being put up in shop windows and bus-shelters

In a simpler, less shock-weary time this was considered to be in rather bad taste

 

I was so chuffed, and well-pleasedwith the synchronicity … and began a long tradition of introducing a wee shock element into the band posters I produced from there onwards

 

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Shortly afterwards I produced a poster for the band using the  monkey graphic featured below, with the very fine slogan

FLAT OUT
BETTER BAD THAN BORED

Back in the mid 70’s, when the progressive rock scene was slowly disappearing up it’s own drug-addled arse, and the fledgling punk scene had still to fully take flight, a truly strange hybrid of prog & punk appeared on the Glasgow music scene in the form of the mighty Chou Pahrot ( pronounced Chow Parrot), a four-piece hailing from the small town of Paisley, just outside Glasgow.

At that time, Chou Pahrot were nothing less than an amazing burst of vitality, musicality, and deafening vibrancy. Their humour, originality and bizarre antics were a welcome change from the po-faced seriousness of their hip contemporaries


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MONICA ZARB – (Bob Donaldson)

Everything about them was unique

The band, Monica Zarb (bass & vocals), Fish Feathers McTeeth ( drums & hitting things), Mama Voot ( guitar, vocals and saxophone), and Eggy Beard (violin), and,  eventually, The Amphibian,  were a Zappaesque conglomerate of Beefhartian elements &  influenced by the US band The Residents, whose stage-presence was truly shocking to the uninitiated at that time. Uncompromising, deafeningly loud, agressive, and whimsical in equal measures, with Mama Voots trademark appearance in wedding dress and aged crone face-mask leering through the smoke and flashing lights.

I was a FAN … big style

I helped promote their gigs, here in Cumbernauld, and the band I played with, Flat Out, filled various support slots with them

I also designed posters, badges, their record sleeve … and even made the odd apearance with the band, playing the doppelganger clone of Mama Voot, in dress & mask, at a couple of their more memorable gigs … even resulting in me being hit with a bottle at their final Kelvingrove Bandstand appearance!

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FISH FEATHERS McTEETH (Dave Lewis) / EGGY BEARD (Martin McKenna) / MAMA VOOT (Tony O’Neill )

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Their impact at that time is indescribable, as they truly were a LIVE phenomenon, and that experience was never even remotely captured on tape.

The recordings of Chou Pahrot, good as they might be, come nowhere even close to the monsterous tsunami of cacophonic noise and the sheer tornado of sound they could create … a sound which could change, in a heartbeat, to the most melodic of riffs … the contrast and relief creating a dynamic tension of beauty that few musicians have ever achieved, in my experience

Chou Pahrot were a child of their time, and a bratty, self-indulgent, nursery-rhyme screaming wee demon he was … but oh how I loved him, and remember fondly those blisteringly sublime moments his tantrums could create!!

Here’s some of the stuff I helped produce, including unseen artwork from the time

This poster was for a gig at the Glasgow Film Theatre – an unlikely double-bill – The Pahrots & The Beatles film, “Yellow Submarine” …. Oh there were a lotta stoners present THAT night, as I remember!! … and as Monica’s demonic form loomed through the dark, and  jumped from the stage in his manic splendour, I sprang from behind him, identically dressed & scared the crap outta the stoned front row!
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Here’s a design for a Chou Pahrot badge that never actually materialised … badges were very popular at this time, as badge-making machines were on the go, and soon became standard memorabilia for every fan of every band

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Brian Miller was a friend,  artist, writer, designer and director who lived and worked in the town of Cumbernauld for nearly 50 years.

Sadly he passed away last August, but in his honour the Cumbernauld Theatre presented an evening of his work on January 28 2012.

This is a wee film tribute, beautifull put together by his son, Kevin

HERE’S AN ICONIC POSTER

WHICH INSPIRED ONE OF

THE MOST INFLUENTIAL

ALBUMS EVER RECORDED

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